File Sharing plus the Revenue of the Creative Companies Essay

File Sharing and the Income of the Innovative Industries

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File sharing website hosts, who present online safe-keeping to share numerous files ripped from mass media like registered music, films, and ebooks, have been considered as a type of internet piracy that threatens the creative sectors, including films, music, application, and catalogs. (Van Eijk, 2011) However , after the arret of Megaupload, one of the most well-known file hosting site, a series of ripple result happened, creating several other file sharing hosts both deleted their very own files, or set up an access limitation. (Peukert and Claussen, 2012) It appeared to be an impact on the internet piracy and the earnings of the imaginative industries would go up — But it failed to. According to Peukert and Claussen (2012), for example , the revenue from the film industry have reduce ever since Megaupload's shutdown. The purpose of the essay is trying to investigate the relationship between internet piracy via file sharing hosts and the revenue with the creative sectors — how does the former connect to the latter — and a remedy to resolve the declined income of the creative industries. Net Piracy and File Sharing

As its name advises, " Net Piracy” identifies manufacturing and distributing not authorized copies, for example. " pirate copies”, for the Internet. (Panethiere, 2005) Even though the term " File Sharing” means to discuss a file with another person actually, such as saving and releasing a file in a CD, DVD AND BLU-RAY, or a travel, or by means of uploading online to be downloaded. Since persons can get several files allocated without any documentation from the internet free of charge via file sharing host, peer to peer have been regarded as an work of Internet Piracy (Van Eijk, 2011), specifically by the innovative industries, or perhaps sometimes " cultural industries”, industries that produce business entertainment, just like films, music records, submitting, and transmissions, which is specific from " arts”, which include visual and performing artistry,...

References: 2. The American Assembly (2012) Where do Music Selections Come From? By http://piracy.americanassembly.org/where-do-music-collections-come-from/. " Accessed" twelve July, 2013.

* Vehicle Eijk, And. (2011) File Sharing. At http://www.ivir.nl/punblication/vaneijk/pe432775_en_reV-fin.pdf. " Accessed" 10 September, 2013.

* Galloway, S i9000. and Dunlop, S. (2007) A Critique of Explanations of the Ethnic and Creative Industries in public areas Policy. Intercontinental Journal of Cultural Policy, 13(1), pp. 17-31.

* Hammond, R. G. (2013) Profit Drip? Pre-Release Peer to peer and the Music Industry. At http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2059356‎. " Accessed" 15 July, 2013.

* Horkheimer, M. and Adorno, Big t. (2002) Dialetic of Enlightenment, Stanford: Stanford University Press.

* Levine, R. (2012) An Online Piracy Thriller Chills Techdom, Bloomberg Business Week, 4264, 40 January, 2012, pp. 37-39

* Oberholzer, F

2. Panethiere, M. (2005) The Persistence of Piracy: The Consequences for Creativity, for Culture, and for Lasting Development. 13th Session in the Intergovernmental Copyright Committee.

2. Pavlov, To. V. (2005) Dynamic Evaluation of an Institutional Conflict: Copyright laws Owners against Online Peer to peer. Journal of Economic Problems, 39(3), pp. 633-663.

5. Peukert, C. and Claussen, J. (2012) Piracy and Movie Revenues: Evidence by Megaupload. By http://ssrn.com/abstract=2176246. " Accessed" 15 July, 2013.

* Jones, M. and Telong, Ur. (2010) Piracy or Advertising? The Impact of Broadband Internet Penetration on DVD MOVIE Sales. Details Economics & Policy, 22(4), pp. 289-298

* 「違法ダウンロード刑罰化の効果」ファイル共有ユーザーが大幅減、しかし音楽配信売り上げ回復せず



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